The New Jersey Studies Academic Alliance Prizewinners

I'm happy to boast that I'm one of 'em. The New Jersey Studies Academic Alliance has given The Edge of Ruin their prize for the best historical novel to come out in 2010 about New Jersey. (I didn't ask them how big the field was. Some things you're better off not knowing.)

There were four of us this year who got a prize from the New Jersey Studies Academic Alliance, or NJSAA, me and three real historians. Tomorrow afternoon at five o'clock in the Pane Room on the first floor of Rutgers' Alexander Library on College Avenue in New Brunswick, we're going to get together and talk about it.

2011 NJSAA Author Awards Winners:

Non-fiction scholarly category:

Ezra Shales. Made in Newark: Cultivating Industrial Arts and Civic Identity in the Progressive Era, (New Brunswick, N.J.: Rutgers University Press, 2010).
See: http://rutgerspress.rutgers.edu/acatalog/Made_in_Newark.html


Non-fiction popular category:

Michael S. Adelberg. The American Revolution in Monmouth County: The Theatre of Spoil and Destruction, (Charleston, S.C.: History Press, 2010).


Link to footnotes and accompanying essay:
http://www.monmouthhistory.org/images/MCHA_essay_final_in_word_2003.pdf

Non-fiction reference category:

Joseph G. Bilby, ed. New Jersey Goes to War: Biographies of 150 New Jerseyans Caught up in the Struggle of the Civil War. (Hightstown, N.J.:
Longstreet House, 2010).
A publication of the New Jersey Civil War 150th Anniversary Committee, see: http://www.njcivilwar150.org.

Fiction and poetry category:

Irene Fleming. That's me! The Edge of Ruin, (New York, N.Y.:
Minotaur Books, Macmillan, 2010).

See: http://us.macmillan.com/theedgeofruin-1

A Prize for the Edge of Ruin

The Edge Of Ruin, the comic thriller I wrote under the name of Irene Fleming about the early film industry in Fort Lee, New Jersey, has won a prize, the annual fiction award of the NJSAA (New Jersey Studies Academic Alliance). I must confess that I'm thrilled.

These folks are historians, not mystery fans necessarily, so the thing they like about it is the history. I think I got it right, not only the events of 1909 but the feelings and attitudes of the people of that time. Research is so much easier now than it used to be. Newspapers have put their old stories online and indexed them. The Library of Congress offers old silent movies reconstructed from the paper copies that were submitted to them for copyright protection.

Apart from the internet there were movies and books. Kino offers silent movies. Netflix offers silent movies. As for books, my two main sources were Fort Lee, The Film Town, by Richard Koszarski, and Big Trouble by J. Anthony Lucas, as well as many biographies and autobiographies. To say nothing of the stories told me long ago by my grandmother, who was living and working in New York City in those days.

I was perfectly comfortable writing about that period. 1812 is more of a stretch. Although Bucker Dudley is set in the Regency period it is in no respect a Regency novel. Most of it takes place at sea, or on military bases, or in the North Woods among the Mohawk Indians. Bucker hardly ever wears a dress, much less a corset. But it's fun. The history is as solid as I can make it. I have something like eighteen linear feet of books on the many aspects of the ever-fascinating war of 1812, and yet I manage to move the action along without boring information dumps.

I'll save the information dumps for the blog. Next week I'll talk about General Wilkinson, that wretched scoundrel.