Saturday, October 27, 2012

Historic Storm

In the midst of all the current hysteria about Sandy the Frankenstorm I was moved to cast my mind back to the War of 1812 to see whether I could think of a big storm that left its mark on the history of that conflict. There was one that I know of. Not a hurricane, not even a nor'easter, the squall that struck Lake Ontario on the night of August 8, 1813, was evil enough to take the lives of many sailors.

Ned Myers was aboard the schooner Scourge, a merchant vessel commandeered by the American navy and fitted out – overbalanced, actually – with eight heavy guns on the deck. He told the story in his memoirs, Ned Meyers, A Life Before the Mast, dictated to James Fenimore Cooper.

The American fleet was pursuing the British over the lake that day, though the wind was almost still. The Hamilton and the Scourge, two schooners, rowing with all their might, fell behind the other vessels. Night fell. Captain Osgood expected to fight some more. After mess he told the exhausted sailors to sleep at their stations, leaving the sails up, waiting for a breath of wind.

The night grew chilly. some of the men went below where they could sleep in the warmth. On deck Ned Myers fancied a drink, and he was headed for the hatchway when he heard a strange rushing noise to windward. The sky turned black.

A sudden bolt of lightning. A crash of thunder. More lightning and a violent wind that rolled the vessel over to larboard, sending the guns, the shot boxes everything heavy and unsecured careening across the deck, the sailors along with it. Injured men cried out. Ned Myers sprang to throw loose the jib-sheet, shouting to the man at the wheel to put the helm hard down. Ned and another man succeeded in letting fly the lee topsail sheet, but as Ned got hold of the clew line he realized the vessel was going over. The water was up to his breast.

All the men below were lost, including Captain Osgood, and most of those on deck as well. Myers escaped by jumping off just as the ship went down. By chance he swam to a leaky rowboat that had been towed behind the Scourge, and rescued some of his fellows. What happened next – how he was rescued by the British, sent barefoot to prison in Halifax, and managed a daring jailbreak – can be found in his book, widely available online. The Scourge itself rests on the bottom of Lake Ontario together with the Hamilton, sunk in the same storm, preserved as an archaeological site.



Friday, October 19, 2012

Always to be Calling it, Please, Research

Tom Lehrer fans will recognize this line from his immortal hit, "Plagiarize." When I set out to write BUCKER DUDLEY it was not my intention to rip off other people's work, but to write something fresh and original about a very old idea: the sailor girl who went to sea dressed as a boy.

And I wanted to write about the War of 1812.

I didn't know a whole lot about the War of 1812 before I started reading. Americans don't. It's a big deal in Canada, because they figure they won it, which they did, sort of, and yet not. The idea of a shooting war between Canadians and Americans intrigued and horrified me. My father was American, my mother Canadian. They grew up thirty miles from each other.

What most Americans know about the war is the part where the British burned Washington, and then were repelled from Baltimore, where our flag still flew from Fort McHenry in the dawn's early light, after which they sailed off to New Orleans and got soundly whupped by Andrew Jackson's troops.

There was a lot more to it than that. First off the Americans declared war on Great Britain, the most powerful naval force on earth, without having an effective army or navy. It was not a popular war. President Madison sent raw troops to Canada under incompetent officers in the mistaken belief that their invasion would be welcomed. The troops were terrified of Indians, who wouldn't fight by the rules. The New Englanders were so distressed by the whole mess that they started making plans to secede from the Union.

Showing the craziness through the eyes of an adolescent girl who found herself in the middle of it became the task of writing the novel. Bucko does fine. Good health, a cheerful outlook, and remarkable athletic ability see her through most of her trials. The first draft of BUCKER DUDLEY showcased many fascinating characters that I came upon in my reading, but the multiple point of view necessary to feature them pulled focus from Bucko's struggles.

John Norton, the half-Scot, half-Cherokee Mohawk war chief, was too good to cut out of the book in the second draft: handsome, fascinating, bloodthirsty, irresistible to women, ultimately a tragic figure. So he is Bucko's cousin, on the Scottish side, her last remaining relative. She must go into the woods to find him after her ship is destroyed.

In the coming weeks I'll blog about the characters I had to cut. I already told you about Duncan McColl, the soldier minister who was a force for peace on the Maine-New Brunswick border, and Alexander Contee Hanson, the newspaper publisher who detonated the Baltimore riots, and my beloved Captain Thomas Masterman Hardy (Nelson's Hardy), whose aristocratic young wife never appreciated him. There are many others of interest, both noble and debased. Check back here from time to time to find out all about them.

Friday, June 22, 2012

Blackmail Yourself (or let us do it for you)

I saw on MediaBistro yesterday that a new free service called Aherk is offering to blackmail you into finishing your novel, or painting your dining room, or whatever. All you do is state your goal and its deadline and send them a compromising picture of yourself. If your Facebook friends (you see, Facebook has to be involved here) all agree that you have achieved your goal by the deadline, then Aherk won't post the picture on Facebook. Otherwise your reputation is toast.

The concept raises a few questions.

First: Free? What are you getting out of it, Aherk? Oh, yes, my blackmail pictures. After I achieve my goal, perhaps I'll get monthly emails from you demanding fifty dollars.

Second: What sort of pictures do we consider compromising in 2012? In my case, something would have to be Photoshopped. Me wearing Republican campaign materials on my head. Me in bed with the paperboy. (Actually we have no paperboy.) Me using the wrong fork. In point of fact, I haven't done anything in years that couldn't be shown on Facebook with perfect aplomb. At least, I don't think I have. It's true that my memory isn't what it was.

Third: What happens if your Facebook friends all want to see your embarrassing picture so badly that they are willing to lie to Aherk about your achievements? We all know about Facebook friends. Some of them are actual friends, but some of them are just these people who once asked you to friend them, and when you couldn't remember whether you'd ever met them or who they were you said, fine, we're friends. Maybe yes, maybe no.

And finally: What sort of moron gives blackmail pictures to perfect strangers? What sort of society are we living in where people would even expect each other to do that? Who are all these vultures hanging around waiting for me to embarrass myself? Why is the twenty-first century such a total cesspit? (snort… drool…)

Friday, May 11, 2012

Minimalism vs. Abundance

The brilliant small life. Elegance, which is to say the state of having made choices, and having discarded the unworthy and kept only the best. This is what most of us want, except for the pathologically greedy, the disgustingly rich, and the hoarders. We don't want to be those people. Right? We want to lead lives of diamond-like brilliance.

Good luck with that. I've been working on it for more years than I care to remember, and it's one step forward and two steps back. Still, the struggle is worth pursuing.

I was going through a copy of Eating Light this morning, looking for enticing recipes, when I realized something about my kitchen. I don't have half the stuff it takes to make these gourmet dishes. I don't mean the big, perishable things, zucchini, cauliflower, meat, but the spices, specialty oils, gourmet vinegars, and ethnic sauces and condiments that make a dish stand out, not even getting into the cooking utensils required to prepare some ethnic dishes. Quite frankly, I can't give all that stuff house room. Nor can I use the spices and condiments up before they go bad. And then it struck me: one's kitchen is like one's closet.

Yes, standing in the kitchen moaning that there's nothing to eat is not very different from standing in front of the closet moaning that there's nothing to wear. And the things the experts tell you about your closet are also true of your kitchen.

For example:

Minimalism. There is a school of thought that says you should have no more than ten items of clothing for a season, excluding shoes, socks, underwear, scarves, gym clothes and evening wear. It's very French. In order to pull it off you must buy tops and bottoms in a single main colorway, with everything co-ordinating so well that you can dress in the dark. (If you're in New York it has to be black.) In the kitchen, you can apply this philosophy as well, paring down your need for many jars of spices by sticking to a single cuisine. (If you're in New Jersey it has to be Italian.) I wanted to cook a Swedish dish the other night only to find that it required cardamom, which as luck would have it costs fifteen dollars a jar at the local supermarket. Back to chicken cacciatore for me.

When Julia Child first came on the scene I was a young housewife. I learned a lot of what I know about cooking from watching her show. I don't recall that she used a food processor; her tools of choice were a big sharp chef knife, a balloon whisk, an assortment of pots and pans and a few bowls. As time goes by, though, and one loses the snap in one's wrist, a food processor can be a very nice thing to have. Likewise the bread machine, the ice cream maker – Still, I know how to keep a minimalist French kitchen. If I wanted to do that. (You see how easy it is to stray from the ideal.)

Suitability. Your closet and your kitchen should both be in harmony with your lifestyle. Your ten items of clothing will be different if you stay home and raise children from what you would wear to go to business, different also according to your age and degree of physical fitness. Likewise the things in your kitchen. If you have only twenty minutes at a time to cook, you shouldn't be investing in stockpots. If you have children to feed, maybe not so many spices and strange sauces.

Cost per use. A pricey classic can be a bargain if it will be worn or used often. You want to pay big bucks for your winter coat, which you will wear every day for four or five months out of the year, depending on where you live. Ditto your saute pan, good for making chili, frying pork chops, stir-frying, almost anything you might want to cook. I could never understand the impulse that makes women pay thousands and thousands of dollars for a wedding dress that they will wear only once. I know you want to look presentable, but really.

So there you go. These are my thoughts for today on how to be elegant and lead an elegant life. I'm going down to the kitchen now and chase the meal moths out of the cupboards, maybe pare down the spices, throw out the cinnamon I bought at the Acme thirty years ago. Tomorrow, the closet.



Friday, March 16, 2012

Sliding Doors (the movie)

Note to self: When network TV fails to amuse, go watch a Gwyneth Paltrow movie.

Sliding Doors is a great one. I never heard of it before last night, when I was looking for something to "watch instantly" on Netflix. Maybe you never did either, since it came out in the same year (1998) as Shakespeare in Love. But you should see it. It's two stories, really, taking place with the same characters in parallel universes, one where Helen misses her tube train on the way home from being fired from her job, and one where she catches it, meets the attractive James on the train, and arrives home in time to find her parasitic failed novelist lover in bed with his old girlfriend.

The faithless lover, played by John Lynch, is so slimy you have to laugh, and his paramour, played by Jeanne Tripplehorn, is so nasty you want to hiss at her. James (John Hannah) is nice, but the villains get all the great scenes. You should see it if you're at all inclined to romantic movies. Or Gwyneth Paltrow movies.